Godzilla (franchise) - Wikipedia. Waking The Dead Season 5 Episode 6 here. The Godzilla(ゴジラ, Gojira)franchise is a series of multi- media featuring the monster Godzilla, owned and created by Toho.

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It is recognized by Guinness World Records to be the longest continuously running movie franchise, having been in on- going production from 1. The film franchise consists of 2. Toho (three of which had American adaptations and two Hollywood reboot films).[a] A reboot by Toho was released in July 2. Legendary Pictures is proceeding with a shared cinematic franchise of their own with Godzilla: King of the Monsters[9] to be released on March 2. Godzilla vs. Kong to be released on May 2. The first film, Godzilla, directed by Ishirō Honda, is an early and influential classic in the monster film genre and was initially released by Toho in 1. Utilizing a hydrogen bomb incident to unleash the monster, the film tapped into political undertones and feelings common to Japan at the time.

The original introduced an acclaimed music score by Akira Ifukube, which was reused in many of the later films. The original also introduced the work of Toho special effects master Eiji Tsuburaya, who used miniatures and "suitmation" to convey the large scale of the monster and its destruction. For its North American release, the film was reworked as an adaptation and released in 1. Godzilla, King of the Monsters!

The film featured new footage with Raymond Burr edited together with the original Japanese footage.[citation needed]Toho was inspired to make the original Godzilla after the commercial success of the 1. King Kong and the 1.

The Beast from 2. Fathoms. The success of the Godzilla series itself would go on to inspire Gorgo, Gamera: The Giant Monster, Yongary: Monster from the Deep and many other monster films worldwide. The popularity of the films has led to the introduction of the character in other media, such as television, music, literature, and video games. Its character has been one of the most recognizable symbols in Japanese popular culture worldwide, remains a well- known facet of Japanese films and was one of the first examples of the popular kaiju and tokusatsu subgenres in Japanese entertainment. The tone and themes of the individual films vary widely. Several of the films have political themes, others have dark tones, complex internal mythology, or are simple action movies featuring aliens or other monsters, while others have simpler themes accessible to children. Godzilla's role varies from purely a destructive force to an ally of humans, or a protector of Japanese values, or a hero to children.

The name Godzilla is a romanization of the original Japanese name Gojira—which is a combination of two Japanese words: gorira (ゴリラ), "gorilla", and kujira (クジラ), "whale". The word alludes to the size, power and aquatic origin of Godzilla. As developed by Toho, the monster is an offshoot of the combination of radioactivity and ancient dinosaur- like creatures, indestructible and possessing special powers (see Godzilla characteristics). History[edit]The Godzilla film series is broken into several (different) eras reflecting a characteristic style and corresponding to the same eras used to classify all kaiju eiga (monster movies) in Japan. The first two eras refer to the Japanese emperor during production: the Shōwa era and the Heisei era. The third is called the Millennium era as the emperor (Heisei) is the same but these films are considered to have a different style and storyline than the Heisei era. Over the series history, the films have reflected the social and political climate in Japan.

In the original film, Godzilla was an allegory for the effects of the hydrogen bomb, and the consequences that such weapons might have on earth.[1. The radioactive contamination of the Japanese fishing boat Daigo Fukuryū Maru through the United States' Castle Bravothermonuclear device test on Bikini Atoll on March 1, 1. Japan preceding the release of the first movie in 1. The Heisei and Millennium series have largely continued this concept. Shōwa period (1. 95. Watch The Good Neighbor Tube Free. Godzilla (and offspring) as featured in Toho's Shōwa, Heisei and Millennium films. The initial series of movies is named for the Shōwa period in Japan (as all of these films were produced before Emperor Hirohito's death in 1.

This Shōwa timeline spanned from 1. Godzilla, to 1. 97. Terror of Mechagodzilla. With the exceptions of Godzilla, Godzilla Raids Again, Mothra vs. Godzilla and Terror of Mechagodzilla, much of the Shōwa series is relatively light- hearted. Starting with Ghidorah the Three- Headed Monster, Godzilla began evolving into a friendlier, more playful antihero (this transition was complete by Son of Godzilla, where it is shown as a good character), and as years went by, it evolved into an anthropomorphicsuperhero.

Ghidorah the Three- Headed Monster was also significant for introducing Godzilla's arch- enemy and the main antagonist of the series, King Ghidorah. The films Son of Godzilla and All Monsters Attack were aimed at youthful audiences, featuring the appearance of Godzilla's son, Minilla. Godzilla vs. Mechagodzilla was notable for introducing Godzilla's robotic arch- enemy and secondary villain of the movie series Mechagodzilla. The Shōwa period tied loosely in to a number of Toho- produced films in which Godzilla himself did not appear and consequently saw the addition of many monsters into the Godzilla continuity, three of which (Mothra, Rodan and Varan) originated in their own solo movies and another five (Anguirus, Kumonga, Baragon, Manda and Gorosaurus) appeared in their first films as antagonistic or secondary characters.

Haruo Nakajima mainly portrayed Godzilla since 1. However, other stunt actors portrayed the character in his absence, such as Katsumi Tezuka, Yū Sekida, Ryosaku Takasugi, Seiji Onaka, Shinji Takagi, Isao Zushi, and Toru Kawai.[1.

Eiji Tsuburaya directed the special effects for the first six films of the series. His protege Sadamasa Arikawa took over the effects work for the next three films (with Tsuburaya supervising), while Teruyoshi Nakano directed the special effects for the last six films of the series. Heisei period (1. Toho rebooted the series in 1.

The Return of Godzilla, starting the second era of Godzilla films, known as the Heisei series. The Return of Godzilla serves as a direct sequel to the original 1. Showa era. The Return of Godzilla was released in 1.

Godzilla vs. Biollante (1. The Heisei films are set in a single timeline, with each film providing continuity to another film, and brings Godzilla back as a destructive force of nature that is feared by humans. The biological nature and science behind Godzilla became a much more discussed issue in the films, showing the increased focus on the moral aspects of genetics. Godzilla vs. King Ghidorah gave the first concrete birth story for Godzilla, featuring a "Godzillasaurus" dinosaur- like creature that was mutated by radiation into Godzilla. Godzilla was portrayed by Kenpachiro Satsuma for the Heisei films while the special effects were directed by Koichi Kawakita, with the exception of The Return of Godzilla, for which the effects were directed by Teruyoshi Nakano. Millennium period (1.

Toho rebooted the franchise for a second time, with the 1. Godzilla 2. 00. 0, starting the third era of Godzilla films, known as the Millennium series.

The Millennium series is treated similarly to an anthology series where each film, with the exception of Godzilla Against Mechagodzilla and Godzilla: Tokyo S.